Capturing the metropolitan unease and vibrancy of São Paulo, filmmaker Caetano's bracing drama centres on those who live on the fringes of an perpetually shifting metropolis. Newly freed from juvenile prison, 18-year-old Wellington (João Pedro Mariano) stands at a pivotal juncture; left behind by his parents, the innocent young man seeks comfort in the arms of others.
On an late-night excursion with his rowdy group of gay and non-binary friends, Wellington encounters Ronaldo (actor Ricardo Teodoro), a hunky, charismatic hustler over double his age. Shrouded in the flickering glow of a adult movie theater, their first meeting is intimate and charged, with an hint of risk. Ronaldo promptly ushers Wellington to the underground scene of prostitution and drug dealing.
The film illustrates Wellington’s new life of crime with tender empathy instead of as a exploitative warning story. Now going by the name of Baby, he engages in his paid liaisons with brash fearlessness and endearing innocence. To his patrons, Wellington offers more than his youth and his body, but also fleeting acts of kindness.
In the hectic energy of São Paulo, filled with bustling alleyways and colourful shopfronts, there’s a gnawing loneliness, as adrift individuals cling on to one another for temporary happiness.
"The urban landscape are riddled with risk, yet they are where they can discover chosen kin, too."
Ronaldo is simultaneously a partner and a guardian-like mentor to Wellington, but their relationship is derailed by jealousy and monetary insecurity. Dangers posed by shady figures in the shadow economy pale in comparison to the dread of state surveillance and incarceration, symbolized by the hovering figures of police officers making their rounds.
Baby is most powerful as an astute portrait of the forgotten souls who have slipped through the gaps the social system. The film ultimately serves as a moving examination into resilience, chosen family, and the quest for identity within a unforgiving urban landscape.
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